
Hsien Sheng Neil Brown
Dragon Phoenix Taoist Arts

Celestial Dragon
Temple Boxing

2010 - Celestial Dragon Temple Boxing
In Chinese dragon mythology, the Celestial Dragon (Chinese: 天龍 pinyin: tiānlóng; Wade-Giles: t'ien-lung) is held to be a guardian of holy places. It is the divine dragon and can be representative of not only the objective energies of life, but also the subjective energies of a person. Tianlong can symbolise the controlled and redeemed energies of man, the highest aspects of the personality, dedicated to alignment with, and the protection of, the spiritual nature - the centre in the midst of conditions.
Over the years, by combining Lee family style with Jun Fan Jeet Kune Do, Sifu Neil Brown took his kung fu to a new level and he created Celestial Dragon Temple Boxing, a kung fu style which became officially recognised in 2010 by an Executive Committee of the Amateur Martial Association - the largest multi style association of Martial Arts in the United Kingdom. Within its system of training, the Celestial Dragon Temple Boxing style embraces the Lee family arts, including T'ai Chi elements and complete Feng Shou Hand of the Wind kung fu (keeping all Feng Shou grading requirements for that style intact). It amalgamates this effectively with Bruce Lee's Jun Fan Jeet Kune Do and Shaolin Tan Tui aspects, philosophies and techniques. Classes are ideal for kung fu practitioners who want to enjoy both traditional and modern approaches to self-defence.
In the same year, Neil moved to North Yorkshire, leaving his Beverley Dragons School of Kung Fu in the skilled hands of his student Hsien Sheng Black Sash Gary Bielby, assisted by Hsien Sheng Black Sash Damien Oakes. Meanwhile, in Pickering North Yorkshire, Neil established adults and children's kung fu clubs under the banner of the Ryedale Dragons (as part of his Tianlong / Celestial Dragon Temple association) and continued to develop Celestial Dragon Temple Boxing.
Grail Knights
Drawing on his previous medieval martial arts training and experience, Neil also formed Grail Knights - Pickering Medieval Re-enactment Society, focusing on European medieval steel sword martial arts and celebrating the Arthurian legends and the Mystical Quest for the Holy Grail - this complemented his existing oriental sword and staff training. Regular meetings included steel sword practice, contemplation on the lives and symbolism of key characters in the Arthurian stories, plus social celebrations involving medieval banquets - the latter for which many thanks and great appreciation goes to Cait Sloan, a perfect dinner-party hostess.

2020 - The Move to Bridlington and Dragon Phoenix Taoist Arts
In 2020, during the lockdown, Neil moved to Bridlington East Yorkshire, where he and his wife, Léonie, created Sleepy Phoenix Maps. Neil and Léonie are artists, designers and writers. Recent work includes the publication of A Dickensian Christmas Mystery in Bridlington Old Town, by Neil Brown - which is available for purchase on Amazon. Léonie has painted a popular picture of Bridlington Priory Church, prints of which are available for purchase in the Old Town Gallery and Information Point, plus the Priory shop. Later, Neil and Léonie also formed Dragon Phoenix Taoist Arts. They have both practiced Eastern and Western arts (including Mystical Christianity) for over 30 years - in the deeper levels of the mystical traditions, East meets West in great harmony. This Eastern approach to spiritual development, symbolised by the Celestial Dragon, Seahorse and the Phoenix, finds its counterparts in Western Mystical Christianity as the Lion, Lamb and the Dove. Neil and Léonie teach Eastern and Western meditation, energy arts, and related disciplines, for Christ-centred living and the constructive peaceful development of creative potential, which can manifest in a variety of ways, including art and writing.
In 2024, Neil was invited to teach Lee style Feng Shou Kung Fu and Tai Chi classes on behalf of Beverley-based Chinese Arts - Lee Style (again this highlights the generosity and support of Sifu Ted Oxley, co-founder of Chinese Arts - Lee Style).
Additionally, Neil also established another Celestial Dragon Temple Boxing kung fu self-defence class at the beginning of 2025. This class is run in Bridlington directly by Dragon Phoenix Taoist Arts. It is separate from, and in addition to, Neil's Chinese Arts - Lee Style classes.
Dragon Phoenix Taoist Arts promotes meditation, t'ai chi, kung fu and related arts for self defence, wellbeing, spiritual healing and the development of good character, and does not support in any way the actions of individuals or groups of any kind inimical and dangerous to society and the welfare of mankind.
The Nature of the
Celestial Dragon
By Hsien Sheng Neil Brown,
Dragon Phoenix Taoist Arts.
Kung fu is not only about physical development and learning self defence. It concerns inner development - of character and spiritual poise, which includes control of the emotions and the cultivation of mindfulness in all situations.
The use of symbolism to represent ideas and qualities is well known and has always been of significance in any society throughout the ages. Whether it’s the range of religious imagery around the world, clan tartans, the medieval coat of arms worn by noblemen on their tabards and displayed on their shields and banners, or modern-day heraldic devices – ie a company logo as part of a corporate identity, it is evident that the visual image can have great value, meaning and importance. The oriental dragon is a fine example of this, and it goes beyond symbolism and extends into the realms of underlying beliefs about the forces or energies of life and human nature. The Dragon as a whole is yang or active outgoing force in both its creative and destructive aspects.
Some readers may be surprised to discover that the nature of the Eastern Tianlong 天龍 or Celestial Dragon is in fact that of a benevolent creature, though mighty and fierce when necessary in its function as a guardian of holy places; a protector, as tradition states and upholds. This of course is quite different to many Western portrayals of dragons, for there are many myths or stories which depict dragons as evil and destructive beings – maleficent creatures for the hero to wrestle with and overcome, or to be slain.
From a psychological viewpoint, the dragon can represent an aspect of the underlying energies or driving forces of the human personality, where attitudes and emotions can lead to great acts of compassion and healing, or they can do great damage to individuals and to society as a whole. Just as a person grows from childhood into adulthood, so too can a person's ability to govern their attitudes and emotional reactions develop (to a lesser or greater degree) from basic infantile responses to a more mature, aware, considered, and hopefully well-balanced state of being, which may then lead to harmonious, compassionate, creative and constructive interactions with others. Of course, that's an ideal, and individual human growth often takes many unexpected and undesirable twists and turns in the journey of life, which can then affect an individual's emotional and mental state.
In some traditions, the Celestial Dragon and the Terrestrial Dragon refer to beliefs about two levels of the inner realms beyond the physical world, again corresponding to the emotional levels in Man. A Liberal Catholic priest by the name of William Ernest Butler, in his book The Magician (which details a Western, Christ-centred Mystical approach to the spiritual path) explains certain levels of existence, or inner planes of being, under the symbolism of dragons:
“The Astral Light is dual. Like a glittering fiery serpent the lower levels of the Light wind their evil coils around the earth; they inspire earth’s wickedness, they contaminate its inhabitants, and gain in a vicious circle by the perverted power and energy which is poured out in response to their stimulus. This is the Terrestrial Dragon...
“But there is also a Celestial Dragon, the Upper Astral, whose glittering radiance encircles the earth. From her flow harmony, peace, happiness; although far below the Supreme Nature, yet of her also it may be said that her ways are ways of pleasantness and all her paths are peace. Within her realm are to be found the heroic images of the past.”
Seahorses – symbolic of baby dragons
The benevolent Eastern dragons can be assigned to the aforementioned Upper Astral levels, and in this sense, when considered in relation to the human personality, the Eastern dragon is therefore the active, outgoing, dynamic energy of a man or woman who is in harmony with the Tao.
Just as an individual may need to mature before they can achieve greater fulfilment of personal expression, so too do some dragons need to go through certain stages of development before they can achieve the status of Celestial Dragon. For example, there is the Panlong 蟠龍 – these are the coiled dragons, which have not yet 'ascended to Heaven', and traditionally they can represent the person of 'unrecognised talent', here meaning an individual whose inner condition is that of unfulfilled or dormant potential. From a Taoist point of view, the coiled dragon is the stored up force of sheng chi, vitality and internal power within a person, and ever-available as life force, which needs to be nurtured and harmonised to maintain the yin yang balance. It is an energy which can be built up, becoming stronger over time.
Chee Soo (who introduced the Lee style Taoist arts to Western students) was a great advocate of internal development - of working with Ching Sheng Li (external macrocosmic energy), which is held to be the source of all energy. From this comes chi, which is natural internal energy. In many cases, and for a variety of reasons, there is a significant amount of dormant (coiled up) chi within a person, which needs to be reactivated for that individual to feel a greater sense of vitality. Chee Soo introduced techniques of gaining more of this internal power by the poised relaxation of mind, body and spirit and the practice of Taoist breathing exercises. Eventually, the student learns to direct this inner energy from the lower Tan Tien, or storage centre, up the spine, over the head, then down the front of the body and back to the Tan Tien, to encourage and effect self-healing, peace of mind and greater vitality.
I count myself lucky to have experienced direct healing by Chee Soo - by focusing and directing inner energy to cure a long-standing pain in my knee. I was only in my early teens at the time, and did not know what to expect. He achieved this during one of his week-long Summer courses, in the presence of many other students. We were on the third day of the course and the pain in my knee had become unbearable and I'd been forced to sit down as a result. When Chee Soo came over to check on me, I explained the problem. He simply told me to stand up and turn my back to him. I did as I was asked and it felt as if his hand lightly brushed the back of my kung fu jacket, along my spine, and as he did so, the pain vanished and I was able to continue training. Naturally I was amazed, and it served as a pivotal moment in guiding my life's direction, causing me to seek greater understanding of the energy arts and meditation from both Eastern and Western psychological, philosophical and spiritual perspectives. It is worth noting that prior to that Summer course, I'd suffered with knee pain for many months, yet it was instantly cured by Chee Soo. From that point on, I never suffered with any pain in my knee again.

Panlongs can be symbolically portrayed as Seahorses (with their coiled tails) – which in some legends are perceived as baby dragons. It is interesting to note here that the Lee Style Taoist family tradition uses as its symbol the Seahorse wearing a manual labourer’s hat, to represent humility. It demonstrates how one needs to practice the arts of humility, often seen in the humble person who uses their skills or gifts well, while remaining in harmony with the Tao, rather than purely to inflate the ego, whether in the pursuit of riches, power, or social standing for personal gain, without sparing a thought for the welfare of others.
The seahorse as a celestial dragon
The Lee family symbol, of the Seahorse wearing the hat of a humble person, is therefore not only representative of the Panlong but also the Tianlong. Through hard work, growth and the perfecting of its skills, it uses its coiled, stored up or potential energy (Chi) for acts of goodness, which help and protect society. Indeed, the female seahorse inserts her eggs into a brood pouch located at the base of the male's tail (around the area of the Tan Tien), where they are fertilised, and thus it is the male seahorse which carries its many young. Over time, a chemical process takes place during which the male seahorse's body fluids (quite literally its stored up energy) stored in its pouch, gradually transform into saltwater, where the eggs hatch and the young remain for some time. After that the young are born as miniature adults, fully equipped to live their lives in the sea. In so doing, it might be said of the parent seahorses that they have become Tianlongs – heavenly dragons. Seen from the point of view of a class teacher, the student (symbolised as a baby seahorse) begins as a Panlong with the potential to become a Tianlong (in whom the yin and yang should be balanced, enabling them to become effective teachers, capable of instructing students themselves if they wish, and also becoming effective practitioners of their arts, having the capacity to diffuse certain disruptive situations and restore peace and harmony to their environment).
It is also worth noting here that when the individual becomes a teacher or class instructor, one does not stop learning and developing. The baby dragon may have become a Tianlong, but there are further stages and levels of attainment even then - and these in truth, in addition to effective demonstration of principles and techniques, apply more to inner qualities and the development of the ability to 'demonstrate', or to 'put into actual practice', acts of compassion, patience, understanding and genuine concern for a student's, or any person's, wellbeing; (qualities that should have already been developed throughout the course of one's training as a student). The expression of such qualities is more important than just the celebration of belts or TengChi awards alone (which do have their place and function), for the latter can become empty and meaningless, even self-destructive and self-aggrandising, if received in the wrong spirit. Better to always preserve the humble nature, as depicted in the Lee style image of the Seahorse wearing the hat of humility.
Hsien Sheng Neil Brown, Dragon Phoenix Taoist Arts, 2025.
In part 2, we shall consider the Phoenix, a representation of yin, passive, negative force.
Self Development
East & West
Taoist Arts and self-defence in the mid 1980s and 90s
In his teens, Sifu / Hsien Sheng Neil Brown was originally taught the Lee Style, including Feng Shou Hand of the Wind self defence, by Hsien Sheng John Stone, and he was trained and graded by Grandmaster Chee Soo of the International Wu-Shu Association / International Taoist Society. Grandmaster Chee Soo was the person who introduced the Lee style Taoist arts to the West and he advised his students to "study the laws of life within the realms of the spiritual path (Tao)". For him, self-defence was a means to avoid, prevent, or end conflict. He taught the art of working with spiritual energy, including T'ai Chi, Mind-Training and Meditation, for healing and internal development along the path of Peace.

Sports martial arts
Additionally, Neil studied Wado Ryu Karate, and Nippon Dai Budokai Jiu Jitsu plus Jeet Kune Do with Sensei Kevin Low. During that time, Neil won the Humberside County Jiu Jitsu Championships, in two sections – Stand-up Sparring, and also in Back to Back (ground-level wrestling). However, sports and self-defence training for physical health and protection (in a law-abiding manner) is just one aspect of a multifaceted approach to self-development.
Medieval interests
Neil also developed a keen interest in the age of chivalry, including the stories centred around the Arthurian legends, portraying the lives of knights as they quested for the legendary Holy Grail - representing a person's mystical journey towards self-mastery and spiritual realisation. Neil joined the Golden Lions of England, where he was taught medieval steel sword combat and took part in re-enactment displays at Warwick Castle and York.
Spiritual practices
In the late 80s, in addition to the Eastern Taoist arts, Neil also began a serious study of Western religious and philosophical traditions, focusing on Mystical Christianity (which centres on the narrative teachings of Jesus, and which emphasises the transformative encounter with the presence of Christ) and Qabalah, the mystical framework (expressed by the Tree of Life) within Judaism. These are complementary approaches, which can deepen one's true spiritual knowledge and experience (a fine example of this can be seen in this YouTube video of a talk given by Reverend Marie Elsa Bragg) and they have remained part of a continuous path of spiritual study for Neil, for over 30 years. As a confirmed Christian, Neil engages in Christian Meditation and Prayer, and has taught Judeo-Christian Mysticism, as well as various Taoist Arts.
Of primary importance in Neil's attitude to Spiritual Development is his belief in the necessity of a Christ-centred approach, and the aligning of oneself with God's Will, not the personal will - for without the former, the latter can lead into purely individualistic experiences and life expression. Inner growth comes from an acknowledgement that God's Grace comes in the form of Love and Mercy, despite humanity's imperfections, and self-expression therefore should involve listening to the inner voice of one's conscience - one's moral sense of right and wrong.
Lee-Style training during the new millennium years
In 2003, while training in Feng Shou and Tai Chi under Master Edward Oxley as a member of the East-West Taoist Association, Neil was awarded his Feng Shou 1st TengChi (black belt equivalent) by EWTA Master Howard Gibbon, at which point Neil began running his own clubs in Howden and Beverley. Neil left the EWTA on good terms in 2005 in order to expand his experience of Chinese self-defence arts. He was awarded 2nd TengChi by Master Edward Oxley in 2006. Neil also studied for two years with Kung Fu World Champion, Master Darryl Cross of the Fung Yang Sau Kung Fu Association and was presented with a Black Sash by Sifu Cross.
Chinese Arts - Lee Style
2008
In 2008, Master Edward (Ted) Oxley (pictured bottom left) formed Chinese Arts - Lee Style with Hsien Sheng Sue Newton. They were then joined in 2009 by Masters David Harvey, Brian Clubley (bottom right) and Muriel Oates (top row, second from right). Those 5 were the original committee of Chinese Arts - Lee Style. In 2008, although having branched out on his own, Neil was awarded his 3rd TengChi by Master Ted Oxley.

Also in 2008, as part of his martial arts development, Neil attended Seni 08 Jeet Kune Do in London and received training from Sifus Tommy Gong and Tommy Caruthers. He was honoured to meet the late Bruce Lee's daughter Shannon Lee and Bruce Lee's wife Linda Lee, as well as other Jeet Kune Do luminaries, including Tim Tackett, Yori Nakamura and the Iron Dragon Richard Bustillo. At the end of the training, they held Fastest Punch and Fastest Kick contests for all students in attendance. Neil won both contests and was given a set of focus pads as a prize, by Tommy Gong.
