
"Focussed & Powerful, yet Calm & Relaxed"
TAOIST ARTS

Hsien Sheng Neil Brown
Head of
Dragon Phoenix Taoist Arts

Foundations
"I enjoy how the practice of T’ai Chi and Kung Fu within Dragon Phoenix Taoist Arts takes the student to a level where, being safe in the knowledge that through those arts they may have acquired great ability to defend themselves or others, should it become necessary, there is no desire to foster hatred against another, but instead there is simply the desire for peace. To turn the other cheek in situations where to do so could avert conflict, is a more courageous path than to react with the same hatred that is being shown against oneself. Though, I do not believe that to turn the other cheek is an invitation to keep being struck, only that it is an effort to stop it because someone has to say no. However, in some situations where self-defence, or the defence of others to keep them from immediate harm, seems to be the only option, I would endeavour to do so in a law-abiding manner using reasonable force, in an effort to restrain the attacker, always endeavouring not to take the use of such force to the extremes. Learn your kung fu well and you'll have the skill and power to do this efficiently and effectively, with confidence and control. Let everyone, then, seek to bring peace in this world, not by taking up arms in hatred against one another, but by demonstrating love and compassion in whatever ways they can. Those with wisdom will always say, do not concentrate on hatred, lest you generate hatred. Encourage love of peace, for that alone can truly bring about the conditions of peace."
Neil Brown 2026, The Art of Celestial Dragon Temple Boxing.
Learning the basics
Sifu Neil Brown's first introduction to martial arts for self defence was at an early age.
"My dad was from Edinburgh, where he was a member of a boxing club," explains Neil. "He taught me how to make a proper fist and throw a punch. He also taught me some effective hand locks and ground-based leg locks. That sort of thing came in useful in later years, and it also served as a firm foundation for the different martial arts I studied over the years. I started with Judo at the age of 11, but it wasn't until my early teens that I discovered Lee family style kung fu."
Celestial Dragon
Temple Boxing

2010 - Celestial Dragon Temple Boxing
In Chinese dragon mythology, the Celestial Dragon (Chinese: 天龍 pinyin: tiānlóng; Wade-Giles: t'ien-lung) is held to be a guardian of holy places. It is the divine dragon and can be representative of not only the objective energies of life, but also the subjective energies of a person. Tianlong can symbolise the controlled and redeemed energies of man, the highest aspects of the personality, dedicated to alignment with, and the protection of, the spiritual nature - the centre in the midst of conditions.
After years of blending the primary underlying principles and techniques of Lee family style arts, Jeet Kune Do, and Shaolin Tan Tui, through practice, application, exploration and reflection, Neil's kung fu naturally resulted in a new viewpoint. The essence of this crystalised in the form of Celestial Dragon Temple Boxing, which Neil established and continues to develop. Celestial Dragon Temple Boxing kung fu was officially recognised in 2010 by the Amateur Martial Association - the largest multi style association of Martial Arts in the United Kingdom. Within its system of training, the Celestial Dragon Temple Boxing style embraces the Lee family arts, including T'ai Chi and Feng Shou Hand of the Wind kung fu (keeping all Feng Shou grading requirements for that style intact). It amalgamates this effectively with Bruce Lee's Jun Fan Jeet Kune Do and Shaolin Tan Tui aspects, philosophies and techniques. Classes are ideal for kung fu practitioners who want to enjoy both traditional and modern approaches to self-defence through Chinese martial arts.

In the same year, Neil moved to North Yorkshire, leaving his Beverley Dragons School of Kung Fu in the skilled hands of his student Hsien Sheng Black Sash Gary Bielby, assisted by Hsien Sheng Black Sash Damien Oakes. Meanwhile, in Pickering North Yorkshire, Neil established adults and children's kung fu clubs under the banner of the Ryedale Dragons (as part of his Tianlong / Celestial Dragon Temple association) and continued to develop Celestial Dragon Temple Boxing.
Grail Knights
Drawing on his previous medieval martial arts training and experience, and while still running his kung fu classes, Neil also formed Grail Knights - Pickering Medieval Re-enactment Society, focusing on European medieval steel sword martial arts and celebrating the Arthurian legends and the Mystical Quest for the Holy Grail - this complemented his existing oriental sword and staff training.

Regular meetings included steel sword practice - knights who joined the society included 'Sir' Ted Oxley! Membership included contemplation on the lives and symbolism of key characters in the Arthurian stories, plus social celebrations involving medieval banquets - the latter for which many thanks and great appreciation goes to Cait Sloan, a perfect dinner-party hostess.
Image: Grail Knight Ted Oxley pictured on the left, Grail Knight Neil Brown pictured in the middle, Grail Knight (and Competition Sword Fencing expert) Derek Brown on the right.

2020 - The Move to Bridlington and Dragon Phoenix Taoist Arts
In 2020, during the lockdown, Neil and his wife, Léonie, moved to Bridlington East Yorkshire, where Neil has established another Celestial Dragon Temple Boxing kung fu/t'ai chi self-defence class, now under the banner of Dragon Phoenix Taoist Arts, which they formed together.
Neil and Léonie are artists, designers and writers - and, while living in Bridlington, they have created Sleepy Phoenix Maps, which is aimed at helping to raise awareness of Bridlington Old Town, and video-creation company How2Who, helping to advertise businesses both local and further afield. Other work includes the publication of A Dickensian Christmas Mystery in Bridlington Old Town, by Neil Brown - which is available for purchase on Amazon, the Old Town Gallery and Information Point, plus the Priory shop. Léonie has painted a popular picture of Bridlington Priory Church, prints of which are available for purchase in the Old Town Gallery and Information Point (where she has a permanent area for displaying and selling her artwork - also available to view at thesleepyphoenix.co.uk), plus the Priory shop. They have both practiced Eastern and Western arts (including Mystical Christianity) for over 30 years - in the deeper levels of the mystical traditions, East meets West in great harmony. This Eastern approach to spiritual development, symbolised by the Celestial Dragon, Seahorse and the Phoenix, finds its counterparts in Western Mystical Christianity as the Lion, Lamb and the Dove. Neil and Léonie teach Eastern and Western meditation, energy arts, and related disciplines, for Christ-centred living and the constructive peaceful development of creative potential, which can manifest in a variety of ways, including art and writing.
In 2024, Neil was honoured to be invited to teach Lee style Feng Shou Kung Fu and Tai Chi classes on behalf of Beverley-based Chinese Arts - Lee Style (this highlights the generosity and support over the years of Sifu Ted Oxley, Teacher, Master and co-founder of Chinese Arts - Lee Style).
Now, in 2026, as Head of Dragon Phoenix Taoist Arts, Sifu Neil Brown continues to teach and develop Celestial Dragon Temple Boxing; and Dragon Phoenix Taoist Arts remains in association with Chinese Arts - Lee Style.
Spiritual development
Christian Meditation at Bridlington Priory
Although a major facet of his life involves practicing and teaching Taoist Family Arts, Neil also has deep Christian faith. As Churchwarden of Bridlington Priory, Neil also oversees a free, weekly Christian Meditation session on Mondays (based on the approach of John Main, who was a priest and Benedictine monk) at the Priory Church. Rooted in the Christian contemplative tradition, it is aimed at bringing one closer to God and it focuses on silent mantra for a deeper spiritual life and experience. For more information, please download the article: Christian Meditation at Bridlington Priory pdf.

Spiritual practices
In the late 80s, in addition to the Eastern Taoist arts, Neil also began a serious study of Western religious and philosophical traditions, focusing on Mystical Christianity (which centres on the narrative teachings of Jesus, and which emphasises the transformative encounter with the presence of Christ) and Qabalah, the mystical framework (expressed by the Tree of Life) within Judaism. These are complementary approaches, which can deepen one's true spiritual knowledge and experience (a fine example of this can be seen in this YouTube video of a talk given by Reverend Marie Elsa Bragg) and they have remained part of a continuous path of spiritual study for Neil, for over 30 years. As a confirmed Christian and Churchwarden of Bridlington Priory, Neil engages in Christian Meditation and Prayer, and has taught Judeo-Christian Mysticism, as well as various Taoist Arts.
Of primary importance in Neil's attitude to Spiritual Development is his belief in the necessity of a Christ-centred approach, and the aligning of oneself with God's Will, not the personal will - for without the former, the latter can lead into extreme versions of individualistic, self-centred, and uncompassionate experiences and life expression, in which the personal will and desires are asserted above all other considerations. Inner growth comes from an acknowledgement that God's Grace comes in the form of Love and Mercy, despite humanity's imperfections, and self-expression should therefore involve listening to the inner voice of the spirit, which then becomes selfless expression often manifesting as sincere acts of caring and compassion.
The Nature of the
Celestial Dragon
By Hsien Sheng Neil Brown,
Dragon Phoenix Taoist Arts.
Kung fu is not only about physical development and learning self defence. It concerns inner development - of character and spiritual poise, which includes control of the emotions and the cultivation of mindfulness in all situations.
The use of symbolism to represent ideas and qualities is well known and has always been of significance in any society throughout the ages. Whether it’s the range of religious imagery around the world, clan tartans, the medieval coat of arms worn by noblemen on their tabards and displayed on their shields and banners, or modern-day heraldic devices – ie a company logo as part of a corporate identity, it is evident that the visual image can have great value, meaning and importance. The oriental dragon is a fine example of this, and it goes beyond symbolism and extends into the realms of underlying beliefs about the forces or energies of life and human nature. The Dragon as a whole is yang or active outgoing force in both its creative and destructive aspects.
Some readers may be surprised to discover that the nature of the Eastern Tianlong 天龍 or Celestial Dragon is in fact that of a benevolent creature, though mighty and fierce when necessary in its function as a guardian of holy places; a protector, as tradition states and upholds. This of course is quite different to many Western portrayals of dragons, for there are many myths or stories which depict dragons as evil and destructive beings – maleficent creatures for the hero to wrestle with and overcome, or to be slain.
From a psychological viewpoint, the dragon can represent an aspect of the underlying energies or driving forces of the human personality, where attitudes and emotions can lead to great acts of compassion and healing, or they can do great damage to individuals and to society as a whole. Just as a person grows from childhood into adulthood, so too can a person's ability to govern their attitudes and emotional reactions develop (to a lesser or greater degree) from basic infantile responses to a more mature, aware, considered, and hopefully well-balanced state of being, which may then lead to harmonious, compassionate, creative and constructive interactions with others. Of course, that's an ideal, and individual human growth often takes many unexpected and undesirable twists and turns in the journey of life, which can then affect an individual's emotional and mental state.
In some traditions, the Celestial Dragon and the Terrestrial Dragon refer to beliefs about two levels of the inner realms beyond the physical world, again corresponding to the emotional levels in Man. A Liberal Catholic priest by the name of William Ernest Butler, in his book The Magician (which details a Western, Christ-centred Mystical approach to the spiritual path) explains certain levels of existence, or inner planes of being, under the symbolism of dragons:
“The Astral Light is dual. Like a glittering fiery serpent the lower levels of the Light wind their evil coils around the earth; they inspire earth’s wickedness, they contaminate its inhabitants, and gain in a vicious circle by the perverted power and energy which is poured out in response to their stimulus. This is the Terrestrial Dragon...
“But there is also a Celestial Dragon, the Upper Astral, whose glittering radiance encircles the earth. From her flow harmony, peace, happiness; although far below the Supreme Nature, yet of her also it may be said that her ways are ways of pleasantness and all her paths are peace. Within her realm are to be found the heroic images of the past.”
Seahorses – symbolic of baby dragons
The benevolent Eastern dragons can be assigned to the aforementioned Upper Astral levels, and in this sense, when considered in relation to the human personality, the Eastern dragon is therefore the active, outgoing, dynamic energy of a man or woman who is in harmony with the Tao.
Just as an individual may need to mature before they can achieve greater fulfilment of personal expression, so too do some dragons need to go through certain stages of development before they can achieve the status of Celestial Dragon. For example, there is the Panlong 蟠龍 – these are the coiled dragons, which have not yet 'ascended to Heaven', and traditionally they can represent the person of 'unrecognised talent', here meaning an individual whose inner condition is that of unfulfilled or dormant potential. From a Taoist point of view, the coiled dragon is the stored up force of sheng chi, vitality and internal power within a person, and ever-available as life force, which needs to be nurtured and harmonised to maintain the yin yang balance. It is an energy which can be built up, becoming stronger over time.
Chee Soo (who introduced the Lee style Taoist arts to Western students) was a Taoist and also a firm believer in God. He was a great advocate of internal development - of working with Ching Sheng Li (external macrocosmic energy), or Heavenly energy, which comes down to Earth and permeates all things then rises back up in a divine circuit. From this comes chi, which is natural internal energy. In many cases, and for a variety of reasons, there is a significant amount of dormant (coiled up) chi within a person, which needs to be reactivated for that individual to feel a greater sense of vitality. Chee Soo introduced techniques of gaining more of this internal power by the poised relaxation of mind, body and spirit and the practice of Taoist breathing exercises. Eventually, the student learns to direct this inner energy from the lower Tan Tien, or storage centre, up the spine, over the head, then down the front of the body and back to the Tan Tien, to encourage and effect self-healing, peace of mind and greater vitality.
I count myself lucky to have experienced direct healing by Chee Soo - by focusing and directing inner energy to cure a long-standing pain in my knee. I was only in my early teens at the time, and did not know what to expect. He achieved this during one of his week-long Summer courses, in the presence of many other students. We were on the third day of the course and the pain in my knee had become unbearable and I'd been forced to sit down as a result. When Chee Soo came over to check on me, I explained the problem. He simply told me to stand up and turn my back to him. I did as I was asked and it felt as if his hand lightly brushed the back of my kung fu jacket, along my spine, and as he did so, the pain vanished and I was able to continue training. Naturally I was amazed, and it served as a pivotal moment in guiding my life's direction, causing me to seek greater understanding of the energy arts and meditation from both Eastern and Western psychological, philosophical and spiritual perspectives. It is worth noting that prior to that Summer course, I'd suffered with knee pain for many months, yet it was instantly cured by Chee Soo. From that point on, I never suffered with any pain in my knee again.

Panlongs can be symbolically portrayed as Seahorses (with their coiled tails) – which in some legends are perceived as baby dragons. It is interesting to note here that the Lee Style Taoist family tradition uses as its symbol the Seahorse wearing a manual labourer’s hat, to represent humility. It demonstrates how one needs to practice the arts of humility, often seen in the humble person who uses their skills or gifts well, while remaining in harmony with the Tao, rather than purely to inflate the ego, whether in the pursuit of riches, power, or social standing for personal gain, without sparing a thought for the welfare of others.
The seahorse as a celestial dragon
The Lee family symbol, of the Seahorse wearing the hat of a humble person, is therefore not only representative of the Panlong but also the Tianlong. Through hard work, growth and the perfecting of its skills, it uses its coiled, stored up or potential energy (Chi) for acts of goodness, which help and protect society. Indeed, the female seahorse inserts her eggs into a brood pouch located at the base of the male's tail (around the area of the Tan Tien), where they are fertilised, and thus it is the male seahorse which carries its many young. Over time, a chemical process takes place during which the male seahorse's body fluids (quite literally its stored up energy) stored in its pouch, gradually transform into saltwater, where the eggs hatch and the young remain for some time. After that the young are born as miniature adults, fully equipped to live their lives in the sea. In so doing, it might be said of the parent seahorses that they have become Tianlongs – heavenly dragons. Seen from the point of view of a class teacher, the student (symbolised as a baby seahorse) begins as a Panlong with the potential to become a Tianlong (in whom the yin and yang should be balanced, enabling them to become effective teachers, capable of instructing students themselves if they wish, and also becoming effective practitioners of their arts, having the capacity to diffuse certain disruptive situations and restore peace and harmony to their environment).
It is also worth noting here that when the individual becomes a teacher or class instructor, one does not stop learning and developing. The baby dragon may have become a Tianlong, but there are further stages and levels of attainment even then - and these in truth, in addition to effective demonstration of principles and techniques, apply more to inner qualities and the development of the ability to 'demonstrate', or to 'put into actual practice', acts of compassion, patience, understanding and genuine concern for a student's, or any person's, wellbeing; (qualities that should have already been developed throughout the course of one's training as a student). The expression of such qualities is more important than just the celebration of belts or TengChi awards alone (which do have their place and function), for the latter can become empty and meaningless, even self-destructive and self-aggrandising, if received in the wrong spirit. Better to always preserve the humble nature, as depicted in the Lee style image of the Seahorse wearing the hat of humility.
Hsien Sheng Neil Brown, Dragon Phoenix Taoist Arts, 2025.
In part 2, we shall consider the Phoenix, a representation of yin, passive, negative force.
Lee style Training
Taoist Arts and self-defence in the mid 1980s and 90s
Neil was originally taught Lee Style kung fu, Feng Shou Hand of the Wind self defence, Feng Shou Sword and Feng Shou Staff, by Hsien Sheng John Stone, and he was trained and graded by Grandmaster Chee Soo of the International Wu-Shu Association / International Taoist Society.

Grandmaster Chee Soo was the person who introduced the Lee style Taoist arts to the West and he advised his students to "study the laws of life within the realms of the spiritual path (Tao)". For him, kung fu was a means to avoid, prevent, or end conflict. He taught the art of working with spiritual energy, including T'ai Chi, Mind-Training and Meditation, for healing and internal development along the path of Peace.
Chee Soo saw great promise in John Stone and gave him permission to teach Feng Shou kung fu classes before he had gained his first TengChi Master grade.
"I remember, as a young student of Sifu Stone, I accompanied him to one of Chee Soo's Summer courses, which lasted for several days," recalls Neil. "I remember watching Chee Soo studying John during a class break. John was sitting calmly, drinking his honey coffee and in deep thought. He seemed at great peace amidst the flurry of all the other students buzzing around him. The Grandmaster likewise was calm, and his gaze kept alighting on John from a little way away. I had the distinct feeling that something important was taking place. Then, during training, Sifu Stone had his yellow kung fu jacket ripped. It was definitely a sign, because on that same course Grandmaster Chee Soo awarded Sifu Stone his 1st TengChi Master grade, which included a Master's 'black jacket' - Sifu Stone no longer needed his old, ripped yellow jacket after that."

All-Styles Competition Martial Arts
Other Martial Arts styles and Competitions
80s and early 90s
In addition to Feng Shou Kung Fu, Neil also studied Wado Ryu Karate at the local Beverley club, plus Nippon Dai Budokai Jiu Jitsu and Jeet Kune Do with Sensei Kevin Low in Beverley and Hull. During that time, Neil won the Humberside County Jiu Jitsu Championships, in two competitions – Stand-up Sparring, and also in Back to Back (ground-level wrestling). It was an open competition, enabling martial artists from various styles including Judo, Karate and Kung Fu, to compete. Win or lose, competition martial arts can be one way (but not the only way) to help a student learn valuable lessons about the effectiveness of some aspects of their art; it can also be inspiring and a good way of building confidence.
Neil Brown
Humberside County Champion
Jiu Jitsu – Stand-up Sparring
Neil Brown
Humberside County Champion
Jiu Jitsu – Back to Back
(ground-level wrestling)
Medieval Combat
Medieval interests
Neil also developed a keen interest in the age of chivalry, including the stories centred around the Arthurian legends, portraying the lives of knights as they quested for the legendary Holy Grail - representing a person's mystical journey towards self-mastery and spiritual realisation. Neil joined the Golden Lions of England to explore this further, and was taught medieval steel sword combat. He took part in various re-enactment displays at Warwick Castle and York.
Image: Warwick 1993

EWTA - Lee Style
Lee-Style training during the new millennium years
In the 90s, Neil returned to focus specifically on the Lee style and in 2003, while training in Feng Shou and Tai Chi, now under under Master Edward Oxley as a member of the East-West Taoist Association, Neil was awarded his Feng Shou 1st TengChi (black belt equivalent) by EWTA Master Howard Gibbon, at which point Neil began running his own clubs in Howden and Beverley. Neil left the EWTA on good terms in 2005 in order to expand his experience of Chinese self-defence arts. He was awarded 2nd TengChi by Master Edward Oxley in 2006.
FUNG YANG SAU
Neil also studied for two years with Kung Fu World Champion, Master Darryl Cross of the Fung Yang Sau Kung Fu Association, who specialises in Lee style kung fu and t'ai chi and Shaolin Tan Tui. Sifu Cross is based in Wales, and he also travelled to Yorkshire where he taught and graded Neil's students. Neil was honoured to be presented with a Black Sash Master grade by Sifu Cross in Wales. Neil describes Darryl as “Probably one of the best examples of modern day kung fu fighters in the world, who took his art into the arena in China and proved its effectiveness beyond all doubt.” Sifu Cross provided Neil with deeper insight into his own kung fu, demonstrated great generosity, and gave Neil some of the most important martial arts advice of his life: “Be true to your kung fu,” before they parted ways.
Chinese Arts - Lee Style
2008
In 2008, after having left the East West Taoist Association, Master Edward (Ted) Oxley (pictured bottom left) formed Chinese Arts - Lee Style with Hsien Sheng Sue Newton. They were then joined in 2009 by Masters David Harvey, Brian Clubley (bottom right) and Muriel Oates (top row, second from right). Those 5 were the original committee of Chinese Arts - Lee Style.

In 2008, although having branched out on his own, Neil was awarded his 3rd TengChi by Master Ted Oxley. Neil describes Ted as being "Gifted in all aspects of the Lee style taught by Chee Soo, a man of great integrity in his practice, application and teaching of the arts, and is a person who has unceasingly demonstrated true friendship."
Jeet Kune Do
Also in 2008, as part of his martial arts development, Neil attended Seni 08 Jeet Kune Do in London and received training from Sifus Tommy Gong and Tommy Caruthers. He was honoured to meet the late Bruce Lee's daughter Shannon Lee and Bruce Lee's wife Linda Lee, as well as other Jeet Kune Do luminaries, including Tim Tackett, Yori Nakamura and the Iron Dragon Richard Bustillo. At the end of the training, they held Fastest Punch and Fastest Kick contests for all students in attendance. Neil won both contests and was given a set of focus pads as a prize, by Tommy Gong.

